¡Qué cosa tan apestosa! Nivel 72

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¡Qué cosa tan apestosa! | Libro ATAL de animales nivel 72

Palabras de Práctica

Sílaba tónica: identificar la sílaba acentuada mediante palmadas o golpes rítmicos.

casa árbol café fácil imagen ratón volumen
Página 1
On the right side of the image, The Girl stands on a sandy park path on a sunny day, leaning slightly forward with a curious, determined expression as if sniffing the air to track down a smell. A large pale purple circle and a warm yellow sun shape frame her in the background, with wispy clouds scattered across the sky. To the left, a scruffy green bush with wavy stink lines rising from it sits at ground level, with small eyes peeking out from within it — hinting at the source of the stinky smell.

Algo apestoso se esconde en el parque. Una niña llamada Zoe olfatea el aire. Olfatea otra vez. Sigue su nariz por el sendero soleado, como una detective tras el caso más maloliente del mundo. No es un caso fácil. Es un caso apestoso. Detrás de un arbusto verde y desaliñado, dos ojitos parpadean.

Página 2
On the left side of the image, The Girl stands on a dry, grassy patch of ground, looking toward Pig with a wide-eyed, amazed expression, her arms held slightly out from her sides. To her right (but still in the left-center area), Pig stands on all fours, completely covered in thick mud and dirt, with green stink lines rising from its body and a grumpy, wide-eyed expression peeking out from beneath the muck. The scene is outdoors on a sunny day with a large yellow sun in the upper-left corner, a pale blue sky with a few white clouds, and some scraggly bushes nearby.

De pronto sale del arbusto la criatura más apestosa que Zoe ha visto en su vida. Está cubierta de barro espeso y pegajoso de pies a cabeza. Líneas verdes de hedor suben de su cuerpo como vapor. —¡Es un cerdo! —grita Zoe—. ¡Un cerdo de verdad, de verdad! ¡En el parque! La cerdita la mira fijo con ojos grandes y gruñones. No parece nada impresionada. Pero Zoe está impresionada por las dos. Y ya le pone nombre: Zaida.

Página 3
On the right side of the image, The Girl is running joyfully down a sandy hill with her arms spread wide, smiling broadly. In the center-right, Pig chases after her down the slope, with a goofy grin and stink lines rising from its shaggy body. Small green flies buzz around them both. The scene is set outdoors on a sunny day with a bright yellow sun and white clouds in a blue sky, with green bushes at the base of the hill.

Zoe baja corriendo la colina con los brazos bien abiertos. —¡Vamos, Zaida! Y Zaida va. Galopa tras ella con la lengua afuera y una sonrisa boba que le llena media cara. Las moscas zumban alrededor como confeti diminuto y asqueroso.

Página 4
On the left side of the image, The Girl is mid-stride, leaning forward with one arm outstretched and a delighted, open-mouthed smile, wearing a new dress and boots that are getting splattered with muddy water. Pig is mostly obscured by an enormous splash of muddy brown water erupting from the puddle in the center-left of the scene — it has clearly just jumped in with great enthusiasm. The outdoor setting features a bright sun, green bushes, and a dirt path. Muddy water sprays everywhere like a cloudburst.

Zoe encuentra un charco enorme y lo señala con el dedo. —A los cerdos les encanta el barro. ¡Anda! Zaida salta con las cuatro patas. ¡Plooof! El agua lodosa explota por todas partes, como un fuego artificial color café. Empapa el vestido nuevo de Zoe. Le empapa las botas. Empapa a una mariposa que pasa por ahí sin molestar a nadie.

Página 5
On the right side of the image, a large tree dominates the scene with The Girl sitting on a high branch, visible with a dreamy, content expression as she gazes out at the hillside stretching below her like artwork, wearing her mud-splattered dress. Pig sits at the base of the tree on the ground, looking up with a grumpy, unamused expression, waiting reluctantly. Green leaves drift down from the branches above. The scene is outdoors on a sunny day with a bright yellow sun in the upper left, sandy ground, and green bushes scattered around.

Zoe trepa a un árbol grande y se sienta en una rama alta. Desde ahí mira las colinas allá abajo, como una imagen pintada. —¡Sube, Zaida! ¡Desde este árbol se ve el mundo entero! Zaida se sienta al pie del árbol. No trepa. Ni siquiera lo intenta. Solo mira hacia arriba con la cara más gruñona que Zoe ha visto jamás en un cerdo.

Página 6
On the left side of the image, The Girl is sitting on the ground with her eyes closed and mouth wide open, singing joyfully with one hand raised in the air, wearing her mud-splattered dress and now barefoot. Beside her, Pig stands with The Girl's boots on its four feet, mouth open making a funny foghorn-like sound, with stink lines and musical notes floating above both of them. Butterflies and leaves swirl around them in the air. The scene is set outdoors on a sunny day in a flat, grassy area with a bright yellow sun in the sky, and wispy clouds. The right side of the image is open background with minimal detail.

De vuelta en el suelo, Zoe se quita las botas y se las pone a Zaida en las patas. En las cuatro. Zaida abre la boca y suelta un sonido. No es un oinc. Es más bien una sirena de barco que se cae por la escalera. —¡Braaaup! —¡Qué hermoso, Zaida! —Zoe cierra los ojos, lanza una mano al aire y canta a todo volumen. Las mariposas se dispersan. Los pájaros se callan. Es el peor dúo de la historia, y a Zoe le encanta cada segundo.

Página 7
On the right side of the image, The Girl stands near the front door of a suburban house with a brick facade, peering cautiously toward the door with a sneaky, determined expression, one hand reaching toward the doorway as she checks if the coast is clear, wearing her mud-splattered dress and barefoot. Pig stands just behind and to the left of her, still wearing boots on its feet, covered in mud and surrounded by green stink lines and buzzing flies, looking grubby and mischievous. A large orange setting sun dominates the background, with pink sky and white clouds, conveying late afternoon light. Through the partially open front door, the interior of the house is visible.

El sol se pone anaranjado y baja hacia los techos. En cualquier momento mamá va a llamar a Zoe para entrar a la casa. Zoe mira a Zaida. Zaida mira a Zoe. Las moscas giran alrededor de su cabeza como un halo apestoso. —Te vienes a casa conmigo —dice Zoe—. Pero tenemos que ser astutas. A mamá no le va a gustar nada este olor. Zoe sube de puntillas por la entrada, empuja la puerta y se asoma adentro. Vía libre.

Página 8
On the left side of the image, The Girl is tiptoeing carefully with a nervous, worried expression, her arms slightly outstretched for balance as she creeps along, wearing her mud-splattered dress and barefoot. Pig walks beside her on all fours wearing boots, looking wide-eyed and anxious, covered in mud and leaves with flies buzzing around both of them. Muddy footprints and boot prints trail behind them against a white background, suggesting they are sneaking through an indoor hallway while leaving a messy trail. The right side of the image is open white space.

Caminan de puntillas por el pasillo, calladas como un ratón. Zoe contiene la respiración. Zaida contiene la respiración. Hasta las moscas contienen la respiración. Detrás de ellas, un rastro de huellas de barro y de botas se extiende por el piso como un mapa del tesoro que lleva directo a los problemas. —Ni. Un. Solo. Ruido —susurra Zoe. Zaida hace un ruido. Uno pequeñito y chapoteante. Zoe finge no oírlo.

Página 9
On the right side of the image, The Girl stands in front of a vanity/dressing table, grinning widely with hair curlers in her dark reddish-brown hair, holding up a tube of red lipstick in one raised hand. She wears a blue chunky bead necklace and a long pink robe splotched with mud patches over a light blue dress, with bare feet. Pig stands on the floor to her left (center of the image), facing forward with a comically exaggerated grin — it has red lipstick smeared all around its mouth, wavy stink lines rising from its shaggy fur, still wearing purple boots on its feet, with muddy footprints and scattered green leaves on the cream floor around it. The scene is set indoors in a bedroom, with a mirror and perfume bottles visible on the white dressing table behind The Girl. In the mirror, The Girl's grinning face is reflected back, with red lipstick smeared on her cheeks and her curler-filled hair.

Zoe lleva a Zaida directo a la habitación de mamá y se sienta frente al tocador. Si Zaida va a vivir en esta casa, tiene que verse linda. Zoe se pone rulos en el pelo y se unta sombra azul en las mejillas. Después agarra el labial rojo. —Quédate quieta, Zaida. Zaida no se queda quieta. Zoe le pone el labial de todos modos. Casi todo alrededor de la boca. Un poco en el piso. Zaida se sonríe en el espejo como una estrella de cine.

Página 10
On the left side of the image, Mum stands tall in the doorway, pointing down angrily at Pig with an outstretched finger, her expression stern and authoritative. She has light peach skin, shoulder-length curly black hair, small black dot eyes, and wears a plain pink A-line dress with thin black-line arms and mitten-like hands. Pig stands in the center-left area, looking guilty and nervous with wide eyes and a grimacing expression, covered in dirt and grime with flies buzzing around and stink lines rising from its body, red lipstick still smeared around its mouth, wearing boots on its feet, leaving muddy puddles on the floor. The Girl peeks into the scene from behind Mum or from the edge of the frame, looking worried, with hair curlers and blue eyeshadow still on, wearing her mud-splattered dress. The scene is set indoors on a bright yellow floor.

—¿Qué —dice mamá desde la puerta— es eso? Mamá señala a Zaida. Zaida gotea barro sobre la alfombra. Una mosca se posa en el labial. —Es mi cerdita —responde Zoe con su sonrisa más encantadora—. La encontré en el parque. ¿Puedo quedármela? ¿Por favor? La voy a cuidar por siempre y para siempre y para siempre y… —Lleva a esa cerdita a la bañera —dice mamá—. ¡Ahora mismo!

Página 11
On the right side of the image, The Girl and Pig are sitting together in a blue-grey bathtub filled with bubbly, soapy water, set against a faintly tiled bathroom wall, while the left half of the image is empty cream-coloured background. The Girl is smiling happily with her eyes closed, her shoulder-length dark brown hair topped with a pile of white foam and a few hair curlers still nestled in it, the collar of her pink top just visible above the bubbles, clearly enjoying bath time. Pig, with light brown skin, is peeking out from under a mound of white bubbles next to her on the right, with wide eyes and a slightly nervous expression, one trotter resting on the tub's rim as foam and water drip over the edge, and a few wavy green stink lines rise above his sudsy head. Soap bubbles float through the air around them, and a small puddle of water has formed on the green-tinged floor below the tub.

—¿Entonces puedo quedármela? —pregunta Zoe, ya corriendo al baño. —Puedes quedártela… limpia —responde mamá con las manos en la cintura—. No quiero más mugre en mi casa. Llenan la bañera con agua tibia y jabonosa. Zaida se mete. Zoe se mete detrás. Las burbujas flotan hasta el techo mientras tallan y chapotean y tallan un poco más. Capa por capa, el barro va saliendo. Y algo muy extraño empieza a pasar.

Página 12
On the left side of the image, The Girl and the Pug are sitting together in a white bathtub filled with sudsy water and bubbles. The Girl is smiling warmly and scrubbing the Pug's head with a pink hairbrush, while the Pug — now revealed from under all the mud — sits in the foam looking content with a slight grin, showing its small wrinkly face. Bubbles float up into the air above them. The scene is set indoors in a bathroom with light green tiled walls, and water is splashing over the edge of the tub onto the green floor, forming a small puddle.

Debajo del barro no hay ningún cerdo. ¡Zaida es un pug! Una perrita pug pequeñita, de carita arrugada y muy sonriente. Zoe la mira fijo. Zaida la mira fijo. Su colita enroscada se mueve entre las burbujas. —Bueno —dice Zoe, y le frota la cabecita blandita con un cepillo rosado—. Sigues siendo lo más apestoso que he encontrado en el parque. Zaida le lame la nariz. Zoe decide que eso es un gracias. También decide que se la queda para siempre.

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