¿Quién mordió la guayaba? Nivel 80

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¿Quién mordió la guayaba? | Libro ATAL de animales nivel 80

Palabras de Práctica

Infografías, textos expositivos y conectores: combinación de imagen y texto; conectores de orden, contraste y ejemplo.

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Página 1
On the right side of the image, Kina stands on a tiled porch beside their house, grinning excitedly and pointing outward with one hand while holding Kale's hand with the other, mid-stride as she leads him off the porch. Kina has brown hair in a small side ponytail and wears blue overalls over a white t-shirt, walking barefoot on the pale stone tiles. Kale, a smaller boy in an orange t-shirt, blue shorts, and purple shoes, hurries along happily on the grass just behind her, smiling with an excited open-mouthed expression as he strides forward to keep up. The scene is set outdoors on a bright, sunny afternoon with a lush green yard and a row of bushes in the background under a soft blue sky, with the left half of the image left as open sky.

Quina agarra la mano de su hermano y lo jala fuera del porche. —¡Vamos, Lalo! ¡Hoy es el día de las guayabas! —dice, y señala el patio con el dedo. —¡Más despacio! —grita Lalo—. ¡Mis piernas son más cortas que las tuyas!

Página 2
On the left side of the image, Kale stands beneath a guava tree, looking up with a surprised, open-mouthed expression and pointing upward at a large guava hanging from a branch that has a visible bite taken out of it. Kina peeks out from behind the tree trunk to Kale's left, partially hidden, looking curious. The scene is set outdoors on a grassy area with lush green foliage, in bright daylight. The right ~40% of the image is plain green background.

Todavía no llegan al árbol cuando Lalo se para en seco. —¡Quina, mira! —Señala hacia arriba, a una guayaba gorda que cuelga de una rama—. ¡Algo la mordió! Quina se asoma por detrás del tronco y abre la boca de par en par. A la guayaba más madura del árbol le falta un pedazo enorme. Tiene marcas de dientes y todo. —¿Quién mordió nuestra guayaba? —susurra Quina.

Página 3
On the right side of the image, Kale stands excitedly pointing toward a large caterpillar, mouth open wide in a shouting expression, while gripping a tree trunk with one hand. Kina stands just behind Kale, looking skeptical with a slightly doubtful expression and her arms crossed. In the left-center foreground, a large green caterpillar clings to a dark leaf on a lower branch, shown in a dramatic close-up as it nibbles. The scene is set outdoors in a lush, green suburban yard with trees and grass under soft, overcast daylight.

—¡A lo mejor fue eso! —grita Lalo. Señala una oruga verde y gorda que mastica una hoja en una rama baja—. ¡Mira qué hambrienta está! Quina cruza los brazos. —Lalo, la boca de esa oruga es más pequeña que un grano de arroz. Ese mordisco es enorme.

Página 4
On the left side of the image, Kale stands behind a tree trunk, grinning excitedly and pointing upward with one finger toward a green grasshopper perched on a branch above. Kina stands in front of him, leaning slightly forward with a skeptical, unimpressed expression — her eyes narrowed and brow furrowed, clearly rolling her eyes at his suggestion. A green grasshopper sits on a sunlit leaf on a branch above them. They are both positioned among large trees and lush green foliage in an outdoor wooded setting with dappled light filtering through the canopy. The right side of the image is dark, plain background suitable for text overlay.

—Bueno, ¿y qué tal un hada? —Lalo sonríe—. ¡Un hada muy hambrienta, con dientes chiquitos! —Las hadas no existen, Lalo. —¡Está bien! —Lalo ve un saltamontes en una rama y lo apunta con el dedo—. ¡Ahí! ¡Fue el saltamontes! ¡Caso cerrado!

Página 5
On the right side of the image, Kale stands on the grass looking surprised and slightly startled, pointing toward a large chicken in the foreground, while Kina sits perched up in the branches of a leafy tree behind him, grinning widely with an amused expression as she explains why the chicken couldn't be the culprit. The scene is set outdoors on a sunny day with a grassy yard, a large tree, and a soft blue sky with wispy clouds. A large gray chicken occupies the lower-left foreground, seen from the side pecking at the ground.

Luego Lalo ve una gallina grande que picotea el suelo y grita como si ya lo supiera todo. —¡La gallina! ¡Mira ese pico! Un picotazo, ¡pum!, ¡y queda ese hoyo gigante! Quina ya está trepada en el árbol, buscando pistas. Mira a su hermano desde arriba y sonríe. —La guayaba está muy alta, Lalo. ¿Esa gallina puede volar hasta acá arriba?

Página 6
On the left side of the image, Kale and Kina stand back-to-back on a grassy area near a fruit tree, set against a dramatic sunset sky with warm orange and pink clouds suggesting dusk. Kale stands on the far left facing left with a worried expression, one hand raised near his chin. Kina stands just right of center facing right with a determined expression, both fists raised as if struck by an idea. The right ~40% of the image is a plain muted brown/mauve background suitable for text overlay.

El cielo se pone naranja y rosa, y todavía no hay respuestas. Lalo se mueve nervioso. —Mejor vamos a casa —dice—. Podemos comprar guayabas en la tienda. Pero Quina abre los ojos como platos. Gira de golpe con los puños en alto. —¡Espera! ¿Y si el mordedor de guayabas solo sale de noche?

Página 7
On the right side of the image, Kina stands in a doorway, gripping the door handle with one hand and holding a folded blanket or cloth in the other, looking determined and ready to head outside. Kale sits just outside the doorway on the right-center, arms crossed, eyes drooping with a sleepy, tired expression. The scene is set at nighttime outside a house, with a starry sky and dark silhouettes of trees visible in the background, and warm interior light spilling from the open doorway.

Quina está parada en la puerta con una cobija bajo el brazo y una cara muy seria. —Acampamos junto al árbol —dice—. Primero vigilamos. Después esperamos. Finalmente atrapamos al mordedor. Lalo se sienta afuera con los brazos cruzados y bosteza.

Página 8
On the left side of the image, Kina and Kale stand close together outdoors at night, searching around a large tree. Kina is in front, shining a flashlight/torch at the tree trunk with a focused, determined expression, while Kale stands just behind her, looking nervously over his shoulder into the darkness with a scared expression. The scene is set under a starry night sky with dark blue-green tones, the torch casting a warm glow on the tree. Branches sway in the wind casting strange dancing shadows around them. The right ~40% of the image is plain teal/blue background.

De noche, el patio se ve completamente distinto. Quina pasea su linterna por el tronco. Lalo camina tan pegado a ella que le pisa los pies a cada rato. —¿Y si las hadas sí existen —susurra Lalo— y solo salen de noche? —¡Las hadas no existen! —dice Quina. Una rama cruje con el viento y los dos pegan un brinco.

Página 9
On the right side of the image, Kina and Kale are huddled together inside a dark tent, peeking out nervously through a gap in the tent flaps. Kina has a tense, alert expression and appears to be whispering, while Kale looks wide-eyed and anxious, holding a flashlight that casts a narrow beam of light between the plaid-patterned tent fabric. The scene is dimly lit and nighttime, with the darkness of the tent interior surrounding them, creating a tense, suspenseful atmosphere.

Ya en la tienda de campaña, Quina pega la cara a la abertura y mira hacia la oscuridad. —Va a venir —susurra—. Yo lo sé. —Yo sé que quiero dormir —susurra Lalo, apretando su linterna con las dos manos. Entonces oyen algo. ¡Flap! ¡Flap! ¡Flap! Algo está ahí afuera. Algo con alas. Quina agarra el brazo de Lalo.

Página 10
On the left side of the image, Bat hangs upside down from a tree branch among leaves, wings spread wide, biting into a round guava fruit. Below and slightly left of center, Kina and Kale poke their heads out from the tent flap, looking upward with wide-eyed amazement — Kina's eyes are fixed intently on Bat while Kale's mouth is open in a 'whoa' expression. The scene is set outdoors at nighttime with a dark teal-blue starry sky and a soft glow of torchlight illuminating Bat from below. The right side of the image is open sky, suitable for text overlay.

Sacan la cabeza de la tienda de campaña y miran hacia arriba. Ahí, colgado de cabeza en una rama, hay un murciélago oscuro con las alas anchas abiertas entre las hojas. ¡Y está mordiendo otra guayaba en ese mismo momento! El jugo chorrea por todas partes. —¡Se está comiendo otra! —dice Lalo—. ¡Justo enfrente de nosotros!

Página 11
On the right side of the image, Kale and Kina are huddled together peeking out from a teal camping tent, both looking surprised and amazed. Kina is pointing proudly toward a tree on the far right, where Bat hangs upside down from a branch with its wings folded. A flashlight lies on the ground in front of the tent, casting a warm beam of light toward the tree. The scene is set outdoors at nighttime with dark, moody lighting and a large tree trunk dominating the right edge. The left ~30% of the image is a plain muted teal/gray background.

—Es pequeño —susurra Lalo, mirando hacia arriba—. Tiene alas. Y ojos grandes y redondos. Quina lo señala, orgullosa, con una sonrisa enorme. —Solo hay un animal así. ¡Es un murciélago!

Página 12
On the left side of the image, Bat hangs upside down from a tree branch in the upper-left corner, with large circular black eyes and a content expression, its round belly full after eating. Below and behind Bat, a small suburban house sits along a stone path under a starry nighttime sky with a glowing full moon. Through a warmly lit window, the silhouettes of Kina and Kale can be seen sleeping peacefully inside. The right side of the image is open dark sky.

Allá arriba, en el árbol, Batú cuelga de cabeza con la panza redonda y llena como una pelota. Le parpadea a la luna con sus ojos grandes, feliz. Ni una oruga. Ni un saltamontes. Ni una gallina. Ni un hada. Solo un murciélago muy hambriento que piensa que las guayabas son deliciosas. Y la verdad, tiene muy buen gusto. Allá abajo, la casa brilla bajo la luna. Adentro, dos detectives cansados duermen profundamente, soñando con su próximo misterio.

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